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          "id": "mOqjjoWcSdk",
          "title": "Saint John the Baptist",
          "position": {
            "x": -4.773479947554067,
            "y": 1.0549564031115433,
            "z": 2.861575843600656
          },
          "source": "matterport",
          "description": "This icon must have been part of a Deesis, together with two other icons, one of Christ in the center, and another of the Mother of God on his right. \n\nView in collection (https://stcatherines.mused.org/items/146908/saint-john-the-baptist)",
          "normal": {
            "x": 0.9999905967735512,
            "y": 0.00430996354196447,
            "z": 0.0004801861554906067
          },
          "color": "#03687d"
        },
        {
          "id": "oWZoCA5jvQn",
          "title": "The Mother of God of the Bush among four monastic saints ...",
          "position": {
            "x": -2.140033269505995,
            "y": 1.6615436987823107,
            "z": 1.9420578718704686
          },
          "source": "matterport",
          "description": "... of Sinai\nThis is a unique work of art with respect to the history of the monastery, signed by painter Peter. The Mother of God holding Christ before her is in the center, under the inscription \"The Mother of God, of the Bush\", a wording that appears only in this particular icon. \n\nView in collection (https://stcatherines.mused.org/items/146899/the-mother-of-god-of-the-bush-among-four-monastic-saints-of-sinai)",
          "normal": {
            "x": -0.028373680824678265,
            "y": 0.002782733166207646,
            "z": 0.9995935127003303
          },
          "color": "#03687d"
        },
        {
          "id": "sKkWVchACHM",
          "title": "Moses and Aaron",
          "position": {
            "x": -0.5476613837452953,
            "y": 1.4229733987405506,
            "z": 4.50468658353323
          },
          "source": "matterport",
          "description": "This icon of Sinai depicts Moses on the left, and his brother Aaron on the right. Aaron is anointed by Moses and is represented as the High Priest (Exodus 19, 130), wearing the appropriate vestments. \n\nView in collection (https://stcatherines.mused.org/items/146926/moses-and-aaron)",
          "normal": {
            "x": 0.9999546479939484,
            "y": 0.009380389337300996,
            "z": 0.0016462840518846355
          },
          "color": "#03687d"
        },
        {
          "id": "xydfHGSevrH",
          "title": "Nativity and early life of Jesus Christ",
          "position": {
            "x": -2.875963848683136,
            "y": 0.8538688476700106,
            "z": 2.102370476990288
          },
          "source": "matterport",
          "description": "The icon, initially a triptych panel, is a Constantinopolitan work of art that depicts the Nativity, the Annunciation to the Shepherds and the Adoration of the Magi, Joseph's Dream, the Flight into Egypt, the Flight of Elizabeth, and the Massacre of the Innocents.\n\nView in collection (https://stcatherines.mused.org/items/146905/nativity-and-early-life-of-jesus-christ)",
          "normal": {
            "x": 0.016195945882337005,
            "y": 0.3635527293752833,
            "z": 0.9314328232893442
          },
          "color": "#03687d"
        },
        {
          "id": "AW0TjGZbBZp",
          "title": "Crucifixion with saints",
          "position": {
            "x": 4.848898806575366,
            "y": 0.9657913063569663,
            "z": 2.7212434232399163
          },
          "source": "matterport",
          "description": "Christ on the cross is portayed naked here, except for the translucent fabric that covers his hips. His eyes are shut, signifying death, though the expression on his face is that of deep sleep. \n\nLearn more at the Museum Collection (https://stcatherines.mused.org/items/146896/crucifixion-with-saints).",
          "normal": {
            "x": -0.98063093441369,
            "y": -0.012637710293832885,
            "z": 0.19545653928549506
          },
          "color": "#03687d"
        },
        {
          "id": "CW63dCpYKAK",
          "title": "Mother of God",
          "position": {
            "x": -4.753544522921927,
            "y": 1.5447280834748898,
            "z": 4.121095016983075
          },
          "source": "matterport",
          "description": "Icons associated with worship, such as the icons of the Great Deesis (Christ, the Mother of God, Archangels, and Apostles) acquire great importance in the icon production of Sinai during the thirteenth century. \n\nView in collection (https://stcatherines.mused.org/items/146906/archangel-michael-mother-of-god-christ-and-archangel-gabriel)",
          "normal": {
            "x": 0.9999599233178383,
            "y": 0.0006758081708377738,
            "z": -0.008927207934131239
          },
          "color": "#03687d"
        },
        {
          "id": "EiOg1aRKU3R",
          "title": "Christ",
          "position": {
            "x": -4.767551306670687,
            "y": 1.5195202745518213,
            "z": 3.230146732075574
          },
          "source": "matterport",
          "description": "Icons associated with worship, such as the icons of the Great Deesis (Christ, the Mother of God, Archangels, and Apostles) acquire great importance in the icon production of Sinai during the thirteenth century. \n\nView in collection (https://stcatherines.mused.org/items/146906/archangel-michael-mother-of-god-christ-and-archangel-gabriel)",
          "normal": {
            "x": 0.999991521620879,
            "y": 0.004110252871562822,
            "z": -0.0002500153814819235
          },
          "color": "#03687d"
        },
        {
          "id": "Fav1CDIfBfj",
          "title": "Medieval reliquary of Saint Catherine",
          "position": {
            "x": -3.6222682432316073,
            "y": 1.233233539075807,
            "z": 12.357104409993841
          },
          "source": "matterport",
          "description": "This is the oldest reliquary of Saint Catherine preserved in Sinai, and consists of a rectangular base, with a hemispherical depression at the bottom, and a triangular prism lid. It is adorned with floral motifs carved in relief on the two long sides; the relief sculptor employed a drill to achieve the depth of the relief decoration. \n\nView in collection (https://stcatherines.mused.org/items/146933/medieval-reliquary-of-saint-catherine)",
          "normal": {
            "x": 0.0009033364403700268,
            "y": 0.003507842783842469,
            "z": -0.9999934394896196
          },
          "color": "#03687d"
        },
        {
          "id": "HaksIiBBpfE",
          "title": "Copy of the translation\nfrom Arabic in Turkish\nof ...",
          "position": {
            "x": 6.857191809583027,
            "y": 0.9966687250325812,
            "z": 12.342770520313609
          },
          "source": "matterport",
          "description": "... the Αhdname that Mohamed, Prophet of Islam, granted to the monks of Sinai\nThe monks of Mount Sinai Monastery re- quested a copy of the \"decree\" (Ahdname) issued by Mohamed, Prophet of Islam in the Hegira year 2 (623), from the religious court in 1569, translated from Arabic to Turkish.\n\nView in collection (https://stcatherines.mused.org/items/146878/copy-of-the-translation-from-arabic-in-turkish-of-the-ahdname-that-mohamed-prophet-of-islam-granted-to-the-monks-of-sinai)",
          "normal": {
            "x": -0.08017369820538436,
            "y": 0.9966095515978809,
            "z": 0.01848187706762329
          },
          "color": "#03687d"
        },
        {
          "id": "H4BjhvefgZK",
          "title": "Archangel Michael",
          "position": {
            "x": -4.717317818985768,
            "y": 1.5338556608928196,
            "z": 4.689705628729962
          },
          "source": "matterport",
          "description": "Icons associated with worship, such as the icons of the Great Deesis (Christ, the Mother of God, Archangels, and Apostles) acquire great importance in the icon production of Sinai during the thirteenth century. \n\nView in collection (https://stcatherines.mused.org/items/146906/archangel-michael-mother-of-god-christ-and-archangel-gabriel)",
          "normal": {
            "x": 0.9999282649802556,
            "y": 0.003297701305157223,
            "z": -0.011514775711139643
          },
          "color": "#03687d"
        },
        {
          "id": "KeYIqEfel88",
          "title": "Moses receiving the Law",
          "position": {
            "x": 4.556455034435651,
            "y": 1.0409750525588648,
            "z": 1.464409850417376
          },
          "source": "matterport",
          "description": "Moses is standing on the top of Mount Sinai, and, turning to the left of the frame in a forceful step and with a resolute expression on his face, receives the tablets of the Law from the hand of God.\n\nLearn more at the Museum Collection (https://stcatherines.mused.org/items/146891/moses-receiving-the-law).\nClick here to see the Holy Summit of Mount Sinai (https://my.matterport.com/show/?m=YjzyYPqMvD1&sr=-3.01,-.95&ss=1).",
          "normal": {
            "x": -0.9781264467811376,
            "y": -0.0002409680647379103,
            "z": 0.2080110478837561
          },
          "color": "#03687d"
        },
        {
          "id": "KOdfFROPjEY",
          "title": "Homer",
          "position": {
            "x": 4.546143117696376,
            "y": 0.4476891199739639,
            "z": 16.633525994599722
          },
          "source": "matterport",
          "description": "This printed edition was a major literary event. It contains the Iliad and Odyssey, but also the comedy Batrachomyomachia and Hymns to Apollo. The edition was commissioned by the Athenian Demetrios Chalkocondyles (1423- 1511), first professor of Greek ...\n\nView in collection (https://stcatherines.mused.org/items/146959/homer)",
          "normal": {
            "x": -0.3083328687013704,
            "y": 0.951027875937362,
            "z": 0.02183623750679163
          },
          "color": "#03687d"
        },
        {
          "id": "LmR6jxJrqS9",
          "title": "Door reused in the Library by Archbishop Nikephoros Marthali",
          "position": {
            "x": 0.884918686396949,
            "y": 1.3956887667830813,
            "z": 12.479586625816633
          },
          "source": "matterport",
          "description": "The door probably originates from Cairo and can be dated to the Mameluk era in the fifteenth century (?) based on its construction and decorative motifs. A matching door is now found in the oil storeroom of the Katholikon. \n\nView in collection (https://stcatherines.mused.org/items/146935/door-reused-in-the-library-by-archbishop-nikephoros-marthalis)",
          "normal": {
            "x": -0.99992326862743,
            "y": 0.0018043593651194938,
            "z": -0.01225565766159577
          },
          "color": "#03687d"
        },
        {
          "id": "MCzI8Fw6LCw",
          "title": "Acts and Epistles",
          "position": {
            "x": 4.551312908845196,
            "y": 0.36595589610364065,
            "z": 17.51701339664043
          },
          "source": "matterport",
          "description": "This is an illuminated manuscript written in minuscule script, and ornamental initials executed with brown ink, as well as gold punctuation marks. Among the few large-scale illustrations in the text, the one that stands out is the miniature portrait ... \n\nView in collection (https://stcatherines.mused.org/items/146957/acts-and-epistles)",
          "normal": {
            "x": 0.0,
            "y": 1.0,
            "z": 0.0
          },
          "color": "#03687d"
        },
        {
          "id": "MWgckNbKgMH",
          "title": "Mitre, offering of the Christians of Ioannina city",
          "position": {
            "x": 3.8604799390108937,
            "y": 1.5013605715750842,
            "z": 7.015533731875715
          },
          "source": "matterport",
          "description": "This elaborate miter, in the shape of a Papal tiara, is reminiscent of the lavish helmet of Sultan Suleiman the Magnificent (1532-1535), known to us through a number of Venetian engravings and other sources.\n\nView in collection (https://stcatherines.mused.org/items/146975/mitre-offering-of-the-christians-of-ioannina-city)",
          "normal": {
            "x": 0.20793513859046808,
            "y": 0.004821405984869052,
            "z": 0.9781307336873186
          },
          "color": "#03687d"
        },
        {
          "id": "OmEyTQQc3yO",
          "title": "Canonarion - Anthology of Prayers",
          "position": {
            "x": 0.5398530332562624,
            "y": 0.3743906552697426,
            "z": 18.737938364793827
          },
          "source": "matterport",
          "description": "This Canonarion contains Supplicatory and other Canons to the Holy Trinity, Jesus Christ, the Mother of God, Archangels, Apostles, Martyrs, Hierarchs, and Prophets. According to the extensive bibliographical endnote (pp. 387r- 388v), it was written by ...\n\nView in collection (https://stcatherines.mused.org/items/146941/canonarion-anthology-of-prayers)",
          "normal": {
            "x": -0.9983833578129919,
            "y": 0.021886835092920016,
            "z": -0.05245605104914714
          },
          "color": "#03687d"
        },
        {
          "id": "PmzONcfgKyz",
          "title": "St. John the Evangelist dictates his Gospel to Prochoros",
          "position": {
            "x": 3.6520892590792973,
            "y": 0.5720360340204842,
            "z": 21.715712973468843
          },
          "source": "matterport",
          "description": "From the Palaeologan era (thirteenth century) the elderly Evangelist is portrayed seated, listening to the voice of God. Later on, the cave of the Revelation on Patmos island is added to the iconography. Even though the identity of the ... \n\nView in collection (https://stcatherines.mused.org/items/146946/st-john-the-evangelist-dictates-his-gospel-to-prochoros)",
          "normal": {
            "x": -0.09021165269024857,
            "y": 0.003987401691209212,
            "z": -0.9959146340659158
          },
          "color": "#03687d"
        },
        {
          "id": "PGxqhL6LWzK",
          "title": "Sanctification cross with clock",
          "position": {
            "x": 3.709642721159483,
            "y": 1.933247610135346,
            "z": 7.031126323103628
          },
          "source": "matterport",
          "description": "This cross was a precious personal possession of Abbot Ioasaf that conceals a clock with a copper plate and silver-gilt floral patterns, within its base, adorned with cast metal lions. The finely carved and pierced wooden cross is decorated with ...\n\nView in collection (https://stcatherines.mused.org/items/146978/sanctification-cross-with-clock)",
          "normal": {
            "x": 0.2090718586399745,
            "y": 0.00466269311029389,
            "z": 0.9778891640762699
          },
          "color": "#03687d"
        },
        {
          "id": "R42rmTb4uDM",
          "title": "Artoklasia for the blessing of the loaves",
          "position": {
            "x": 3.3241133516706345,
            "y": 1.0136267522993383,
            "z": 7.538227926397198
          },
          "source": "matterport",
          "description": "The Artoklasia is a service held at the end of Vespers on the eve or on the day of great feasts, in recollection of the early Christian agape meals and Christ's miraculous multiplication of the loaves.\n\nView in collection (https://stcatherines.mused.org/items/146982/artoklasia-for-the-blessing-of-the-loaves)",
          "normal": {
            "x": 0.0029944222363573,
            "y": 0.9996662325124096,
            "z": 0.02566041718124882
          },
          "color": "#03687d"
        },
        {
          "id": "TWtiNPqthSl",
          "title": "Four Gospels (part II)",
          "position": {
            "x": 0.5467223550490671,
            "y": 0.3667817631526611,
            "z": 18.351405934094874
          },
          "source": "matterport",
          "description": "This manuscript contains the \"Gospel according to Luke\" chapter 12, verses 2 to the end (pp. 1r-36v), the \"Gospel according to John\" (pp. 37r-98v) and liturgical orders and a menologion calendar (pp. 10r-144r). The manuscript was written by the scribe ...\n\nView in collection (https://stcatherines.mused.org/items/146942/four-gospels-part-ii)",
          "normal": {
            "x": -0.9984021583367927,
            "y": 0.021178584638798133,
            "z": -0.05238890895152727
          },
          "color": "#03687d"
        },
        {
          "id": "UeuGd1R2AEN",
          "title": "Cross with verse from Exodus and scenes of the delivery ...",
          "position": {
            "x": -3.2331748717474604,
            "y": 0.42361052084651574,
            "z": 15.711752880829978
          },
          "source": "matterport",
          "description": "...of the Law to Moses\nAn inscription of Exodus verses dominates this monumental cross; at the same time, the engravings on the tip of the cross-arms are also noteworthy. \n\nView in collection (https://stcatherines.mused.org/items/146936/cross-with-verse-from-exodus-and-scenes-of-the-delivery-of-the-law-to-moses)",
          "normal": {
            "x": 0.9987554347533236,
            "y": -0.0037921540314193383,
            "z": 0.0497312891296995
          },
          "color": "#03687d"
        },
        {
          "id": "WmrZisry3Mw",
          "title": "The Mother of God, the Bush and prophet Isaiah",
          "position": {
            "x": -4.713531830395054,
            "y": 1.0805434303610002,
            "z": 4.502451311261163
          },
          "source": "matterport",
          "description": "Prophet Isaiah on the left reverences the Mother of God depicted in the Virgin of the Bush iconographic type, which refers to the most sacred site of the monastery, with Christ appearing suspended before her.\n\nView in collection (https://stcatherines.mused.org/items/146910/the-mother-of-god-the-bush-and-prophet-isaiah)",
          "normal": {
            "x": 0.9999499431726863,
            "y": 0.00041337327125782813,
            "z": -0.009997013127943747
          },
          "color": "#03687d"
        },
        {
          "id": "W091vAEirBi",
          "title": "Christ Pantokrator",
          "position": {
            "x": 1.9750269348238438,
            "y": 1.4074689628200883,
            "z": -1.7334173120482
          },
          "source": "matterport",
          "description": "Christ stands in front of an apse, beyond which the distant sky appears; the color of the sky transitions from darker to lighter hues of blue. The face is a marvelous specimen of the encaustic technique, and it manifests a variety of expressive emotions.\n\nLearn more at the Museum Collection (https://stcatherines.mused.org/items/1156/o-khristos-pantokrator-christ-the-almighty).",
          "normal": {
            "x": 0.221771645863668,
            "y": -0.0017036982350403574,
            "z": 0.9750971410599274
          },
          "color": "#03687d"
        },
        {
          "id": "Xijv6GYK7aU",
          "title": "Euchologion",
          "position": {
            "x": 0.5979726795558399,
            "y": 0.33034990698389927,
            "z": 17.732396643040722
          },
          "source": "matterport",
          "description": "The tenth century manuscript is Slavic. It is written in the Glagolitic script, that is, the alphabet invented by Saint Cyril for the Slavic language. The sheet on display is part of an older Slavic Euchologion, the so called Sinai Euchologion that was ...\n\nView in collection (https://stcatherines.mused.org/items/146944/euchologion)",
          "normal": {
            "x": -0.9989737434245184,
            "y": 0.02476293343596518,
            "z": -0.03792435992934734
          },
          "color": "#03687d"
        },
        {
          "id": "Yu5wF1fnzve",
          "title": "Moses before the Burning Bush",
          "position": {
            "x": 4.411450590413072,
            "y": 1.0512682378473537,
            "z": 0.6965490248505892
          },
          "source": "matterport",
          "description": "Moses is untying his sandal in front of the Burning Bush. On the lower left corner of the frame the donor of the icon is portrayed crouched in supplication.\n\nLearn more at the Museum Collection (https://stcatherines.mused.org/items/146890/moses-before-the-burning-bush).\nClick here to see the Burning Bush (https://my.matterport.com/show/?m=KNT61ydsJmi&sr=2.83,-.52&ss=8).",
          "normal": {
            "x": -0.9783942997883465,
            "y": 0.0019541217980640407,
            "z": 0.20673842301243803
          },
          "color": "#03687d"
        },
        {
          "id": "34ai01Y7aM1",
          "title": "Saint Catherine with scenes of her life and donor",
          "position": {
            "x": 2.4465425988302263,
            "y": 1.5211595484373115,
            "z": 7.8263362357460196
          },
          "source": "matterport",
          "description": "Saint Catherine is depicted accompanied by angels holding up her halo. The symbols of the Mother of God adopted by Cretan painters in the sixteenth century refer to her learning, her struggle for Christ, and her martyrdom and triumph.\n\nView in collection (https://stcatherines.mused.org/items/146983/saint-catherine-with-scenes-of-her-life-and-donor)",
          "normal": {
            "x": 0.22201847427628857,
            "y": -0.0006775495672736872,
            "z": 0.9750422237044982
          },
          "color": "#03687d"
        },
        {
          "id": "50oDpEwR8oQ",
          "title": "Lectionary cover",
          "position": {
            "x": 3.2909511645800746,
            "y": 1.0250849626464706,
            "z": 11.385870647514844
          },
          "source": "matterport",
          "description": "A number of narrative scenes from Sinai tradition adorn the back-side of this cover. On the left, Moses stands in awe before the \"bush that burned but was not consumed\" (the Mother of God), and subsequently he removes his sandal.\n\nView in collection (https://stcatherines.mused.org/items/146987/lectionary-cover)",
          "normal": {
            "x": -0.002669897889415105,
            "y": 0.9997772040714362,
            "z": -0.020938334803938457
          },
          "color": "#03687d"
        },
        {
          "id": "6SjeIrZo7pk",
          "title": "Lectionary case",
          "position": {
            "x": 3.667995981259897,
            "y": 0.9980336576607609,
            "z": 11.343401544219908
          },
          "source": "matterport",
          "description": "This silver-gilt case from Georgia was the offering of Priest-monk Joachim Skordillis of Crete, and is decorated with the monumental scenes of the Crucifixion and the Descent into Hades.\n\nView in collection (https://stcatherines.mused.org/items/146986/lectionary-case)",
          "normal": {
            "x": -0.004783941869279149,
            "y": 0.9998036494871635,
            "z": -0.019229570258867172
          },
          "color": "#03687d"
        },
        {
          "id": "7yzjnphkbs0",
          "title": "The Holy Bush",
          "position": {
            "x": 4.2969470261751965,
            "y": 1.6757185198634716,
            "z": 11.763988440114542
          },
          "source": "matterport",
          "description": "On the upper part we find a depiction of God in the clouds, surrounded by six full-figure angles, two of which receive the tablets of the Law in order to hand them to Moses who is kneeling on the summit. \n\nView in collection (https://stcatherines.mused.org/items/146990/the-holy-bush)",
          "normal": {
            "x": -0.12805012633492804,
            "y": -7.626570955028473e-05,
            "z": -0.9917676942354751
          },
          "color": "#03687d"
        },
        {
          "id": "ajWntuErsqL",
          "title": "Christ on throne",
          "position": {
            "x": 4.1780943111440765,
            "y": 1.1923483463032727,
            "z": -0.3436867614762181
          },
          "source": "matterport",
          "description": "Christ is identified as Emmanuel, the Word of God incarnate, according to the inscription; he appears seated on a rainbow, inside a halo held up by the four cherub angels of the prophet Ezekiel (10:12).\n\nLearn more at the Museum Collection (https://stcatherines.mused.org/items/146888/christ-on-throne)",
          "normal": {
            "x": -0.9785624139547392,
            "y": -0.0007040232894910719,
            "z": 0.20594928100452653
          },
          "color": "#03687d"
        },
        {
          "id": "bDKP0Bb61sD",
          "title": "Saint Catherine",
          "position": {
            "x": -1.9261214679427963,
            "y": 0.8183235658872509,
            "z": 12.353622159991463
          },
          "source": "matterport",
          "description": "The Saint of Sinai is depicted holding a cross in her right hand, and wearing an imperial dress, as is the standard in icon depictions of her since post-Byzantine times. Her gold-embroidered headdress was already a standard item in fifteenth century Cretan icons. \n\nView in collection (https://stcatherines.mused.org/items/146934/saint-catherine)",
          "normal": {
            "x": -0.010464352866999573,
            "y": 0.006032290327610289,
            "z": -0.9999270517355147
          },
          "color": "#03687d"
        },
        {
          "id": "bP283dCcVVh",
          "title": "Epigonation, offering of Cyril, Archbishop of Sinai",
          "position": {
            "x": -4.829262999782916,
            "y": 0.8476909675520894,
            "z": 8.573039852596352
          },
          "source": "matterport",
          "description": "The epigonation is embroidered on red silk fabric using expensive materials: gold and silver wire, and multicolored silk thread. The Virgin of the Bush is depicted in the center, and a section of the monastery on the bottom.\n\nView in collection (https://stcatherines.mused.org/items/146920/epigonation-offering-of-cyril-archbishop-of-sinai)",
          "normal": {
            "x": 0.9998209430823982,
            "y": 0.007620683624174315,
            "z": 0.017320708845894383
          },
          "color": "#03687d"
        },
        {
          "id": "cTxx5nW1QrO",
          "title": "Platonis Opera Omnia",
          "position": {
            "x": 4.465139741442371,
            "y": 0.4884026615924076,
            "z": 15.557846781219784
          },
          "source": "matterport",
          "description": "This is one of the most remarkable works published by the great philologist (literary scholar) Markos Mousouros. This was the first time that Renaissance scholars encountered the original texts of Plato, which until then they were only able ...\n\nView in collection (https://stcatherines.mused.org/items/146961/platonis-opera-omnia)",
          "normal": {
            "x": -0.9976653079908162,
            "y": 0.006408267756007672,
            "z": 0.0679916710778393
          },
          "color": "#03687d"
        },
        {
          "id": "hb7HLdGhGSh",
          "title": "The Mother of God Hodegetria",
          "position": {
            "x": -2.6914156855038627,
            "y": 1.2272686365155372,
            "z": 1.8518426935773349
          },
          "source": "matterport",
          "description": "The Mother of God in her iconographic depiction of Hodegetria holds Christ in a seated posture, on her right arm, and inclines her head towards him expressing her affection for him. Her expression is one of deep sadness, which alludes to the divine Passion, while her gentle face reflects current developments in the theological approach of the divine and its artistic rendition.\n\nView in collection (https://stcatherines.mused.org/items/146902/the-mother-of-god-hodegetria)",
          "normal": {
            "x": 0.0039934223220536936,
            "y": -0.005659371299870926,
            "z": 0.9999760117596063
          },
          "color": "#03687d"
        },
        {
          "id": "hjZQzJVntzJ",
          "title": "Decree of Napoleon Βonaparte assuring the privileges ...",
          "position": {
            "x": -0.5216816453332346,
            "y": 1.4510187851850982,
            "z": 9.741492707731355
          },
          "source": "matterport",
          "description": "... of the Monastery οf Sinai\nDuring his stay in Egypt (July 24, 1798, to February 1, 1799), Napoleon Bonaparte was particularly concerned with the security of the monastery and the safety of its monks ...\n\nView in collection (https://stcatherines.mused.org/items/146992/decree-of-napoleon-bonaparte-assuring-the-privileges-of-the-monastery-of-sinai)",
          "normal": {
            "x": 0.9999777001423541,
            "y": -0.0030508030241792107,
            "z": 0.005940691787664362
          },
          "color": "#03687d"
        },
        {
          "id": "iD0PCXlwp2c",
          "title": "Cross with pierced inscription",
          "position": {
            "x": 0.6259081488748184,
            "y": 0.7847633860329399,
            "z": 18.548052187140446
          },
          "source": "matterport",
          "description": "This cross is most probably part of a group of lights from lamps and polycandela, suspended with chains from the ceiling. It was donated by Presbyter Epiphanios in gratitude for the fulfillment of his prayer. This type of inscription is often found in ...\n\nView in collection (https://stcatherines.mused.org/items/146945/cross-with-pierced-inscription)",
          "normal": {
            "x": -0.9990205798470565,
            "y": 0.005447749151519301,
            "z": -0.043911309149616114
          },
          "color": "#03687d"
        },
        {
          "id": "kvo8gC802xd",
          "title": "Casket with engraved figures",
          "position": {
            "x": 4.072830686815753,
            "y": 0.9691328968933389,
            "z": 7.2385500335324275
          },
          "source": "matterport",
          "description": "This casket in the shape of a basilica could well be the casket listed as \"expensive (precious) model of the Katholikon\" in a 1673 inventory. Indeed, its decorative engravings include subjects relevant to the sanctity of the site of Sinai ...\n\nView in collection (https://stcatherines.mused.org/items/146974/casket-with-engraved-figures)",
          "normal": {
            "x": 0.0009714220692744678,
            "y": 0.9999076853576262,
            "z": 0.01355275255871272
          },
          "color": "#03687d"
        },
        {
          "id": "mX08NPgIjOZ",
          "title": "Christ as High Archpriest with Saints John Chrysostom ...",
          "position": {
            "x": -4.919787441753153,
            "y": 1.6034134204852508,
            "z": 10.977467588852296
          },
          "source": "matterport",
          "description": "... and Basil\nThe central composition is based on the Deesis scene. The two priests holding the books with their Liturgies, and dressed in lavish priestly vestments, revere Christ in the center. The bright white lighting comes in stark contrast with the dark-complexioned faces. \n\nView in collection (https://stcatherines.mused.org/items/146929/christ-as-high-archpriest-with-saints-john-chrysostom-and-basil)",
          "normal": {
            "x": 0.9999911458563685,
            "y": -0.00042963928002917015,
            "z": 0.004186122186046927
          },
          "color": "#03687d"
        },
        {
          "id": "nrmKuPiDB8a",
          "title": "Basket for the storage of scrolls",
          "position": {
            "x": 2.376973056334826,
            "y": 0.5031987285820928,
            "z": 19.329960397698166
          },
          "source": "matterport",
          "description": "This basket is made of vertical, wooden battens around which thin strips of wood have been meticulously woven. This construction is further wrapped in heavy cotton fabric, dyed with indigo blue, and tied with cord. The four handles are made of ...\n\nView in collection (https://stcatherines.mused.org/items/146877/basket-for-the-storage-of-scrolls)",
          "normal": {
            "x": 0.9964747446819407,
            "y": -0.08005505348396143,
            "z": 0.025085286977451843
          },
          "color": "#03687d"
        },
        {
          "id": "pHrJjLzSOS4",
          "title": "Miracle at Chonai",
          "position": {
            "x": 4.759618872609844,
            "y": 1.0176489451561008,
            "z": 2.2910027407139344
          },
          "source": "matterport",
          "description": "The miracle at Chonai is celebrated on September sixth, the feast day of the Archangel Michael. The pagans attempted to divert a river to demolish the church of the Archangel Michael, where the caretaker was the monk Archippus, standing on the right side of the icon, but Michael diverted the waters and spared the church.\n\nLearn more at the Museum Collection (https://stcatherines.mused.org/items/146894/miracle-at-chonai).",
          "normal": {
            "x": -0.9819711739276187,
            "y": 0.005529101520026132,
            "z": 0.18894984152307664
          },
          "color": "#03687d"
        },
        {
          "id": "qzB9rzekLBp",
          "title": "Chalice, gift of King\nCharles VI of France",
          "position": {
            "x": 5.180673701438715,
            "y": 1.2528374172689454,
            "z": 6.819776791300826
          },
          "source": "matterport",
          "description": "This luxurious chalice was a gift to Sinai by King Charles VI of France (1380-1422) according to an inscription in Latin and Greek, and it reflects the fervor with which Christians venerated Saint Catherine in the West. It is an elegantly proportioned work of art ...\n\nView in collection (https://stcatherines.mused.org/items/146971/chalice-gift-of-king-charles-vi-of-france)",
          "normal": {
            "x": -0.0980143659332992,
            "y": 0.9943775927296749,
            "z": -0.04007975982750196
          },
          "color": "#03687d"
        },
        {
          "id": "tPCEiFuRoGC",
          "title": "Miracles of Saint Eustratius",
          "position": {
            "x": 3.4148294488379634,
            "y": 1.669618844890087,
            "z": 4.665413227994243
          },
          "source": "matterport",
          "description": "One of the earliest specimens of a templon architrave, including a depiction of the Deisis theme, and eleven miracles of Saint Eustratius, one of the five martyrs of Sebaste in Asia Minor.\n\nLearn more at the Museum Collection (https://stcatherines.mused.org/items/1163/miracles-of-saint-eustratius).",
          "normal": {
            "x": -0.1995404589639262,
            "y": -0.011849661901552205,
            "z": -0.9798179375523213
          },
          "color": "#03687d"
        },
        {
          "id": "zndD3afXOKx",
          "title": "Μonastic miter of Nikephoros Marthalis, Archbishop of Sinai",
          "position": {
            "x": -4.882336833608825,
            "y": 2.0316880798498778,
            "z": 7.33879906171448
          },
          "source": "matterport",
          "description": "The miter rim is decorated with the figures of Christ the Great Archpriest, Saint Nikephoros, the protector saint of the particular cleric, and an inscription with the name of Nikiforos and the date 1731.\n\nView in collection (https://stcatherines.mused.org/items/146917/monastic-miter-of-nikephoros-marthalis-archbishop-of-sinai)",
          "normal": {
            "x": 0.9999829526814641,
            "y": -0.004326035215882029,
            "z": 0.003921704447285887
          },
          "color": "#03687d"
        },
        {
          "id": "Az0Uuw9SHXj",
          "title": "Pair of epimanika with the Annunciation",
          "position": {
            "x": -4.836741419889184,
            "y": 1.3672192851032845,
            "z": 6.553021286212369
          },
          "source": "matterport",
          "description": "Each of the two figures of the Annunciation scene is portrayed standing under an arch. The two arches are flanked by flower vases (planters) with decorative plants covering the rest of the vestment. \n\nView in collection (https://stcatherines.mused.org/items/146916/pair-of-epimanika-with-the-annunciation)",
          "normal": {
            "x": 0.9999494749258854,
            "y": -0.0024239995219503853,
            "z": 0.009755604633423271
          },
          "color": "#03687d"
        },
        {
          "id": "ATQ6dM8bnik",
          "title": "Saint John of Sinai (Climacus)",
          "position": {
            "x": 4.721048420110446,
            "y": 0.5773547586451244,
            "z": 18.775069060263252
          },
          "source": "matterport",
          "description": "This icon depicts the great Sinai recluse, also metaphorically called the pride of Sinai and the fruit of the desert, in full frontal posture clad in monk's garb. His face has been portrayed in a number of Sinai icons; there are, however, also different portraits of the Saint ...\n\nView in collection (https://stcatherines.mused.org/items/146956/saint-john-of-sinai-climacus)",
          "normal": {
            "x": -0.9975676558412445,
            "y": 0.007395929581810355,
            "z": 0.06931141496914842
          },
          "color": "#03687d"
        },
        {
          "id": "GLTFImuCRa8",
          "title": "Lectionary cover",
          "position": {
            "x": 4.079897426161011,
            "y": 0.951921717876899,
            "z": 11.281588151900191
          },
          "source": "matterport",
          "description": "A silver sheet with religious scenes is symmetrically attached onto the rust colored leather cover. On the front, we see the Crucifixion in the center and the zoomorphic signs of the Evangelists on the four corners.\n\nView in collection (https://stcatherines.mused.org/items/146985/lectionary-cover)",
          "normal": {
            "x": 0.0008100479404256916,
            "y": 0.9999438597365484,
            "z": -0.01056509335065849
          },
          "color": "#03687d"
        },
        {
          "id": "HjgWvp8ARMr",
          "title": "The Ladder of Divine Ascent",
          "position": {
            "x": 4.856994589558983,
            "y": 1.0540485074248438,
            "z": 3.229788362235386
          },
          "source": "matterport",
          "description": "Saint John of the Ladder, one of the greatest figures of Orthodox Church monasticism, and abbot of the Sinai Monastery in the early seventh century, authored the Ladder of Divine Ascent, hence his epithet.\n\nLearn more at the Museum Collection (https://stcatherines.mused.org/items/1160/the-ladder-of-divine-ascent)",
          "normal": {
            "x": -0.9838509959126089,
            "y": 0.0007126694660560637,
            "z": 0.1789880162022017
          },
          "color": "#03687d"
        },
        {
          "id": "IDLf1Ob5M1p",
          "title": "Scene from the story of king Abgar, and full-body saints",
          "position": {
            "x": 4.129615154241626,
            "y": 0.9833024027049735,
            "z": -0.6612939785495227
          },
          "source": "matterport",
          "description": "This icon contains the oldest depiction of the story of Abgar, king of Edessa, portrayed here on the top right. He is holding the Mandylion, with the miraculous imprint of the face of Christ, brought by Ananias from Jerusalem.\n\nLearn more at the Museum Collection (https://stcatherines.mused.org/items/146887/scene-from-the-story-of-king-abgar-and-full-body-saints).",
          "normal": {
            "x": -0.9786954327308416,
            "y": -0.0005912036614701321,
            "z": 0.20531658586198445
          },
          "color": "#03687d"
        },
        {
          "id": "J91tHQGyvXI",
          "title": "Double-sided encolpion-panagiarion",
          "position": {
            "x": -4.661949282458306,
            "y": 0.40037474487787633,
            "z": 8.281359710206766
          },
          "source": "matterport",
          "description": "This encolpion is representative of a large group of eighteenth century, double-sided woodcarving works that evolved from the older, two-panel panagiaria. The main subject, as in all panagiaria, is the Mother of God with Christ on her chest, a reference to the Incarnation, evident here with the Mother of God depicted as the Staff of the Tree of Jesse.\n\nView in collection (https://stcatherines.mused.org/items/146919/double-sided-encolpion-panagiarion)",
          "normal": {
            "x": 0.03546340778283392,
            "y": 0.9993709607981334,
            "z": -0.00017152796992906367
          },
          "color": "#03687d"
        },
        {
          "id": "UzQ6ki32i8x",
          "title": "Orarion of Nikephoros Marthalis, Archbishop of Sinai",
          "position": {
            "x": -4.539912205166618,
            "y": 0.4079246382036595,
            "z": 8.703496750837278
          },
          "source": "matterport",
          "description": "A continuous band of cherry-satin silk, with a decorative cross on the back of the neck. The band is further decorated with a continuous, floral motif, interrupted by three pairs of saints: the prophets Moses and Aaron, the Virgin of the Bush and Saint Catherine, and the deacon saints Lawrence and Stephen.\n\nView in collection (https://stcatherines.mused.org/items/146921/orarion-of-nikephoros-marthalis-archbishop-of-sinai)",
          "normal": {
            "x": 0.0409412345244384,
            "y": 0.9991610806559371,
            "z": -0.0009747912982009143
          },
          "color": "#03687d"
        },
        {
          "id": "VnptyfGesof",
          "title": "Support Protection & Promotion of the Sinai Monuments",
          "position": {
            "x": -2.8308370520157213,
            "y": 1.2286610838360468,
            "z": 0.23947890391171028
          },
          "source": "matterport",
          "description": "The Holy Monastery of Sinai, in its endeavors to conserve and to promote the heritage of the Sinai monuments, collaborates in different programs, and above all, with the Egyptian Archaeological Service; while, at the same time, it accepts any good intentioned interest that might present itself from any direction, either in the form of expertise, or in the form of financial support, and in this, always in full accord with the Egyptian state authorities.\n\nSupport Saint Catherine's Monastery (https://www.sinaimonastery.com/index.php/en/the-pilgrimage/contact-the-monastery)",
          "normal": {
            "x": 0.9998490328681077,
            "y": -5.3885164945588265e-05,
            "z": -0.01737551636927287
          },
          "color": "#03687d"
        },
        {
          "id": "XDLMFbKMRT2",
          "title": "Ο Απόστολος Πέτρος / The Apostole Peter",
          "position": {
            "x": 3.1972880684398253,
            "y": 1.4064860781553064,
            "z": -2.0583772471849056
          },
          "source": "matterport",
          "description": "A Constantinopolitan work of art, and one of the earliest depictions of the Apostle Peter holding keys and a scepter with a cross, standing in front of an apse, with busts of Christ, the Mother of God, and another young saint, most probably Saint John the Evangelist, over it. \n\nLearn more at the Museum Collection (https://stcatherines.mused.org/items/1157/o-apostolos-petros-the-apostole-peter).",
          "normal": {
            "x": 0.20050932013460118,
            "y": -0.004485306977166921,
            "z": 0.9796815271099484
          },
          "color": "#03687d"
        },
        {
          "id": "X5zLvIvFGpr",
          "title": "Εpitaphios of Saint Catherine",
          "position": {
            "x": -4.502820731031705,
            "y": 0.5569816105523973,
            "z": 11.168457987289964
          },
          "source": "matterport",
          "description": "This epitaphios (cloth icon) is embroidered on salmon-colored brocade fabric, and bears an inscription that refers to the donor who commissioned this piece in Vienna, Azarias the Protosynkellos of Sinai, as well as to other contributors such as priest Georgios, Theodora, and Cyraste, in the year 1805. The central scene includes Moses receiving the Tablets of the Law, the transfer of the holy relics of Saint Catherine to Sinai by angels, and the reliquary of the Saint.\n\nView in collection (https://stcatherines.mused.org/items/146932/epitaphios-of-saint-catherine)",
          "normal": {
            "x": 0.9903559091525533,
            "y": -0.13828372299188268,
            "z": 0.008531422045822426
          },
          "color": "#03687d"
        },
        {
          "id": "2XZS7dNm86Z",
          "title": "Triptych with reliquary-\nenkolpion",
          "position": {
            "x": 3.1345248424686645,
            "y": 1.6264774039314152,
            "z": 7.169005466712507
          },
          "source": "matterport",
          "description": "This small, silver-gilt triptych with angels engraved on the side panels contains a valuable reliquary-encolpion. The figure of Saint Catherine is carved in deep relief on agate stone, encircled in a gold border with white enamel ...\n\nView in collection (https://stcatherines.mused.org/items/146980/triptych-with-reliquary-enkolpion)",
          "normal": {
            "x": 0.20883092552329427,
            "y": 0.00461637448068377,
            "z": 0.9779408640770353
          },
          "color": "#03687d"
        },
        {
          "id": "3Lxma0MVoxn",
          "title": "Buckle",
          "position": {
            "x": -4.60441903523609,
            "y": 0.4162048455158315,
            "z": 6.432989346760136
          },
          "source": "matterport",
          "description": "Perforated floral ornaments of various sizes are arranged on a gold-leaf covered silver background; the floral ornaments are borrowed from Ottoman art, and the perforations create the spaces for the inlay of large red stones. \n\nView in collection (https://stcatherines.mused.org/items/146915/buckle)",
          "normal": {
            "x": 0.0357670307673657,
            "y": 0.9993595670905581,
            "z": -0.0010840547305888447
          },
          "color": "#03687d"
        },
        {
          "id": "6H8BaOT71Mk",
          "title": "Saint Nicholas with other saints",
          "position": {
            "x": 4.707349638029229,
            "y": 1.4214404415249426,
            "z": 2.1103392888078676
          },
          "source": "matterport",
          "description": "Saint Nicholas, one of the most favorite saints of the Orthodox Church, is portrayed here in bust form, wearing bishop's vestments. Around the border of the icon we find ten small discs with portraits of Christ between apostles Peter and Paul on the top, and other saints lower down, in strict hierarchical order, an allusion to the influence of veneration.\n\nLearn more at the Museum Collection (https://stcatherines.mused.org/items/146892/saint-nicholas-with-other-saints).",
          "normal": {
            "x": -0.9774118690962379,
            "y": -0.005374425341409157,
            "z": 0.21127506644667862
          },
          "color": "#03687d"
        },
        {
          "id": "7XIoFRSfsHm",
          "title": "High-priest enkolpion\nof bishop Theophanes",
          "position": {
            "x": 3.896407894089987,
            "y": 0.9730441699986289,
            "z": 7.348713865180834
          },
          "source": "matterport",
          "description": "It was customary for high-ranking priests to dedicate their best vestments and their insignias of office to the monasteries they were associated with. This might be the case with the encolpion of \"humble bishop Theophanes\" ... \n\nView in collection (https://stcatherines.mused.org/items/146976/high-priest-enkolpion-of-bishop-theophanes)",
          "normal": {
            "x": 0.0009714220692744678,
            "y": 0.9999076853576262,
            "z": 0.01355275255871272
          },
          "color": "#03687d"
        },
        {
          "id": "ec9GI9HGMhC",
          "title": "Steatite enkolpion with the Crucifixion (front) and ...",
          "position": {
            "x": 5.237374351589667,
            "y": 1.0248476177561978,
            "z": 7.037046509076032
          },
          "source": "matterport",
          "description": "... the Virgin and Christ Child (back)\nSteatite is a soft stone that was used during the middle Byzantine period for the manufacture of lavish items for private worship, such as encolpia and small, relief icons. \n\nView in collection (https://stcatherines.mused.org/items/146969/steatite-enkolpion-with-the-crucifixion-front-and-the-virgin-and-christ-child-back)",
          "normal": {
            "x": 0.17472913165255463,
            "y": 0.462767084106473,
            "z": 0.8690893834465686
          },
          "color": "#03687d"
        },
        {
          "id": "esAhKype48X",
          "title": "Mother of God and Child",
          "position": {
            "x": 4.934405849124445,
            "y": 1.411523598620571,
            "z": 3.023609322603554
          },
          "source": "matterport",
          "description": "This Virgin is a variation on the more frequent type of the Hodegetria. The reserved expression of the Mother of God, her clenched right palm, the crossed legs of the Child, which does not hold the scroll, as he usually does, but only rests it on his knee, are some of the most striking iconographic features of this composition.\n\nLearn more at the Museum Collection (https://stcatherines.mused.org/items/1161/e-panagia-brephokratousa-the-virgin-and-the-child).",
          "normal": {
            "x": -0.9798790962620517,
            "y": -0.0046111283575889376,
            "z": 0.19953870352373992
          },
          "color": "#03687d"
        },
        {
          "id": "lcd6woLAVJy",
          "title": "Exit the Museum to the Monastery",
          "position": {
            "x": -2.1745041036280055,
            "y": -0.023350659321707656,
            "z": -1.424812914732986
          },
          "source": "matterport",
          "description": "Exit the Museum to the rest of the Monastery and the Chapel of the Holy Bush by clicking here (https://my.matterport.com/show/?m=jd5uQC5C1LA&sr=-3.09,-1.41&ss=25).",
          "normal": {
            "x": 0.0012742423047457734,
            "y": 0.9999939994843424,
            "z": 0.0032213819795006656
          },
          "color": "#03687d"
        },
        {
          "id": "loGABrgLgD5",
          "title": "Gospel cover",
          "position": {
            "x": 2.547831712796962,
            "y": 1.023872547118174,
            "z": 11.507336277926388
          },
          "source": "matterport",
          "description": "This gospel was an offering of Matei Basarab, Prince of Wallachia and his wife Helena. Evangelists, prophets, and plaquettes with scenes from the Old and New Testament surround the main scenes on the cover, namely the Crucifixion and the Descent into Hades ...\n\nView in collection (https://stcatherines.mused.org/items/146989/gospel-cover)",
          "normal": {
            "x": -0.002131470848640892,
            "y": 0.9998673163252779,
            "z": -0.01614950700511543
          },
          "color": "#03687d"
        },
        {
          "id": "mIAafnjt8Ms",
          "title": "The Book of Job with commentary and Pre-theory by ...",
          "position": {
            "x": 3.9611069856364662,
            "y": 0.403023375362823,
            "z": 21.62509305795179
          },
          "source": "matterport",
          "description": "... Olympiothodoros\nOut of the numerous illuminated manuscript copies of the Book of Job that are preserved today, it appears that only the codex of Sinai was created in Constantinople. The illustrations are confined to the ...\n\nView in collection (https://stcatherines.mused.org/items/146949/the-book-of-job-with-commentary-and-pre-theory-by-olympiothodoros)",
          "normal": {
            "x": -0.01574377767169397,
            "y": -0.4657368154272001,
            "z": -0.884783223292776
          },
          "color": "#03687d"
        },
        {
          "id": "n2B09M5Buvz",
          "title": "Crucifixion",
          "position": {
            "x": 4.096830185955996,
            "y": 1.382232148110195,
            "z": -0.8670498003014148
          },
          "source": "matterport",
          "description": "Christ is suspended on the cross, between the two brigands, dressed in a long sleeve- less tunic. The Mother of God is identified as Saint Mary, a name that retains a tradition before the 431 Council of Ephesus.\n\nLearn more at the Museum Collection (https://stcatherines.mused.org/items/146886/crucifixion).",
          "normal": {
            "x": -0.978086358872974,
            "y": -0.001263969693699516,
            "z": 0.20819576596852662
          },
          "color": "#03687d"
        },
        {
          "id": "ocdgsjE3946",
          "title": "Codex Sinaiticus",
          "position": {
            "x": -2.8001729638464052,
            "y": 0.2273222869409519,
            "z": 15.969989456488367
          },
          "source": "matterport",
          "description": "The Codex Sinaiticus was written in the mid- fourth century in Biblical majuscule script - the term for the lettering used on the Codex Sinaiticus and other relevant texts – in four columns (poetry texts were written in two columns), on meticulously prepared parchment.\n\nView in collection (https://stcatherines.mused.org/items/146937/codex-sinaiticus)",
          "normal": {
            "x": 0.5512111432718979,
            "y": 0.8339472813855924,
            "z": 0.02642361448528317
          },
          "color": "#03687d"
        },
        {
          "id": "poWYDd9UC9r",
          "title": "Saint Basil the Great",
          "position": {
            "x": -3.460178269013096,
            "y": 0.7532023763597341,
            "z": 9.599520752570415
          },
          "source": "matterport",
          "description": "The three-quarters view, whole-body image of Saint Basil turned towards the right side, and holding an open scroll, is depicted in this icon.\n\nView in collection (https://stcatherines.mused.org/items/146923/saint-basil-the-great)",
          "normal": {
            "x": -0.01126686861598025,
            "y": 0.0019682623260616787,
            "z": -0.9999345896682472
          },
          "color": "#03687d"
        },
        {
          "id": "pojtk1Gxvhl",
          "title": "Crucifixion",
          "position": {
            "x": -3.4442638984470024,
            "y": 0.5185302592626351,
            "z": 5.150113088941175
          },
          "source": "matterport",
          "description": "Double-sided icons are usually intended to be used in religious processions (litanies). However, the size and weight of this icon suggests that it was rather placed in an iconostasis. \n\nView in collection (https://stcatherines.mused.org/items/146911/crucifixion)",
          "normal": {
            "x": -0.025773736330123392,
            "y": 0.30278456662242315,
            "z": -0.9527104600721338
          },
          "color": "#03687d"
        },
        {
          "id": "psOeyjzr48o",
          "title": "Menologion icon for the whole year",
          "position": {
            "x": 3.5528661722971435,
            "y": 0.9707134230089711,
            "z": 4.380970985391164
          },
          "source": "matterport",
          "description": "Feast days of saints are listed in the church calendar that commences on September first and lists the lives of saints in monthly succession. The lives of saints were portrayed in manuscripts and reproduced in monthly calendar icons, to serve the needs of observance in worship. \n\nView in collection (https://stcatherines.mused.org/items/146901/menologion-icon-for-the-whole-year)",
          "normal": {
            "x": -0.1443489534846609,
            "y": 0.7192486447834935,
            "z": -0.6795916175211341
          },
          "color": "#03687d"
        },
        {
          "id": "psYJVkzVdYE",
          "title": "Enkolpion with bust of Christ between apostles and angels",
          "position": {
            "x": 5.4554236873931865,
            "y": 1.0299950610485462,
            "z": 6.958232859758775
          },
          "source": "matterport",
          "description": "Glass casting cameos, used as substitutes for precious stones, were mass-produced items manufactured as amulets or mementos from the Holy Land. Today, translucent cameos are considered ...\n\nView in collection (https://stcatherines.mused.org/items/146968/enkolpion-with-bust-of-christ-between-apostles-and-angels)",
          "normal": {
            "x": 0.21790413097427913,
            "y": 0.38246778023184125,
            "z": 0.8979065579384484
          },
          "color": "#03687d"
        },
        {
          "id": "qIAHY6y1U4b",
          "title": "Saint Anthony",
          "position": {
            "x": -1.0195680608389024,
            "y": 1.1340684092982949,
            "z": 6.1950059416971515
          },
          "source": "matterport",
          "description": "Saint Anthony is portrayed facing forward, with his right hand resting on a staff and his left holding an open scroll. His is wearing a monks' koukouli on his head. He is surrounded by twenty busts of holy figures and saints, the top three forming the Deesis scene. \nView in collection (https://stcatherines.mused.org/items/146924/saint-anthony)",
          "normal": {
            "x": -0.9999524266616354,
            "y": 0.005628989272682242,
            "z": -0.007966109042372098
          },
          "color": "#03687d"
        },
        {
          "id": "wcpDUjegHCg",
          "title": "Great Deesis",
          "position": {
            "x": -1.012729743130903,
            "y": 1.1447357219531722,
            "z": 8.512941141011595
          },
          "source": "matterport",
          "description": "The top row depicts Christ with the Mother of God, John the Forerunner, Michael and Gabriel, and the four Evangelists. The rows below include depictions of hierarchs, prophets, martyrs, monastic saints including John of the Ladder, a selection of the Forty Martyrs of Sinai, Old Testament Patriarchs, Saints Constantine and Helen, and three female saints including Saint Catherine.\n\nView in collection (https://stcatherines.mused.org/items/146925/great-deesis)",
          "normal": {
            "x": -0.9999667877342405,
            "y": 0.0073590611918697545,
            "z": -0.0035025200697357053
          },
          "color": "#03687d"
        },
        {
          "id": "yAJgL87p3vB",
          "title": "View the Saint Catherine's Monastery Exhibition",
          "position": {
            "x": -0.07747106371432173,
            "y": -0.03293762061593145,
            "z": -0.3163823671105311
          },
          "source": "matterport",
          "description": "Learn more about the Monastery's history and visit the Holy Summit of Mount Sinai at https://stcatherines.mused.org/",
          "normal": {
            "x": 0.005069791147354798,
            "y": 0.999977896307042,
            "z": 0.004301640973513162
          },
          "color": "#d44441"
        },
        {
          "id": "zobWYM5S7mg",
          "title": "Saint John Chrysostom Complete Works",
          "position": {
            "x": 4.423252885049994,
            "y": 0.48742270504020235,
            "z": 15.029467109710836
          },
          "source": "matterport",
          "description": "This first, monumental edition of all eight volumes of the Complete Works of John Chrysostom in Greek was \"edited and processed by Henry Savil, based on old manuscripts\". The Complete Works were printed by the royal printer John Norton ... \n\nView in collection (https://stcatherines.mused.org/items/146962/saint-john-chrysostom-complete-works)",
          "normal": {
            "x": -0.9976067506473137,
            "y": 0.009289839915625474,
            "z": 0.0685162020054421
          },
          "color": "#03687d"
        },
        {
          "id": "zsw1ryXP2KZ",
          "title": "The Mother of God of the Bush among John the Baptist ...",
          "position": {
            "x": -2.1831098054862847,
            "y": 1.2410216999100405,
            "z": 1.9471476184008667
          },
          "source": "matterport",
          "description": "... and Moses\nThe icon belongs to the co-called \"Crusader\" group of icons, and its theme refers to the holy site of Sinai and Sinai iconography. The curled eyebrows on the face of John and his tousled hair indicate that the artist was familiar with Byzantine iconography, while the young Moses follows middle Byzantine prototypes.\n\nView in collection (https://stcatherines.mused.org/items/146900/the-mother-of-god-of-the-bush-among-john-the-baptist-and-moses)",
          "normal": {
            "x": 0.08997990342083564,
            "y": -0.005556099650541812,
            "z": 0.9959280831149658
          },
          "color": "#03687d"
        },
        {
          "id": "zEapOLGrliJ",
          "title": "The Holy Bush",
          "position": {
            "x": 3.1663152666089065,
            "y": 1.6913000371734022,
            "z": 11.915724636747374
          },
          "source": "matterport",
          "description": "The Mother of God as Burning Bush with a winged Christ Child is depicted amidst the Sinai landscape in the center. Prophet Moses and Saint Catherine stand at her side, while the bottom part depicts the walls of the Sinai Monastery and the church of Saint Catherine. \n\nView in collection (https://stcatherines.mused.org/items/146991/the-holy-bush)",
          "normal": {
            "x": -0.1278415756323285,
            "y": -0.0001734621107629966,
            "z": -0.9917945863185278
          },
          "color": "#03687d"
        },
        {
          "id": "z6Q3g8o0T6m",
          "title": "Ewer (aquamanile)",
          "position": {
            "x": 6.887860756953028,
            "y": 0.9559313183762717,
            "z": 13.030866044900451
          },
          "source": "matterport",
          "description": "Despite theological objections, animals constituted a major part of Islamic art iconography; metal animal-shaped vessels, such as the one displayed here, which was used to pour water for hand-washing, are exemplary specimens of this trend.\n\nView in collection (https://stcatherines.mused.org/items/146966/ewer-aquamanile)",
          "normal": {
            "x": -0.0636254909505674,
            "y": 0.9978651564329468,
            "z": 0.014728424163839446
          },
          "color": "#03687d"
        },
        {
          "id": "FE8VY2kaNPG",
          "title": "Church shaped casket, offering of Georgios, Bishop of ...",
          "position": {
            "x": 4.953573615837085,
            "y": 1.0042671925337239,
            "z": 7.1205187253091164
          },
          "source": "matterport",
          "description": "... Radauți (Moldavia)\nWhen the deacon is censing the church, he usually holds an empty casket covered with a piece of fabric in his left hand, in remembrance of the incense chest.\n\nView in collection (https://stcatherines.mused.org/items/146972/church-shaped-casket-offering-of-georgios-bishop-of-radauti-moldavia)",
          "normal": {
            "x": 0.0038122593313025086,
            "y": 0.9996689643408524,
            "z": 0.025444614606600465
          },
          "color": "#03687d"
        },
        {
          "id": "NIgmfTrO8X1",
          "title": "Benediction and Exaltation\ncross",
          "position": {
            "x": 4.0797302010488625,
            "y": 1.5974049107253951,
            "z": 6.9901115261802795
          },
          "source": "matterport",
          "description": "The populated scenes of the Dodecaorton, six on each face, the Tree of Jesse, and Christ as the Vine, on the sides, are carved in deep relief, and on several levels into the wood. The depictions of the Mother of God and Saint John are rendered in relief ...\n\nView in collection (https://stcatherines.mused.org/items/146973/benediction-and-exaltation-cross)",
          "normal": {
            "x": 0.20838071503064576,
            "y": 0.0044296808212489144,
            "z": 0.9780377577226447
          },
          "color": "#03687d"
        },
        {
          "id": "PQ4PWSMUTpS",
          "title": "The Heavenly Ladder\nby John of Sinai (Climacus)",
          "position": {
            "x": 4.594304232401997,
            "y": 0.36413602711384124,
            "z": 18.1222414124472
          },
          "source": "matterport",
          "description": "The texts are written in the elegant Naskh calligraphic style, while the translation of the original Greek text in Arabic is impeccable. The codex was created by Thabit, a priest from Hama in Syria. It contains two miniature paintings, one of John Climacus writing ...\n\nView in collection (https://stcatherines.mused.org/items/146955/the-heavenly-ladder-by-john-of-sinai-climacus)",
          "normal": {
            "x": -0.9966039916091415,
            "y": 0.027006086717251822,
            "z": 0.07778917141187808
          },
          "color": "#03687d"
        },
        {
          "id": "RwT3qIleXmh",
          "title": "Annunciation",
          "position": {
            "x": 4.818786966914912,
            "y": 1.326705474278953,
            "z": 2.5556737237743676
          },
          "source": "matterport",
          "description": "The composition highlights the Incarnation, focusing on the Holy Spirit descending \"in the form of a dove\" inside a golden disc, and the diaphanous Infant on the breast of the Virgin, the latter being a rather rare iconographic theme.\n\nLearn more at the Museum Collection (https://stcatherines.mused.org/items/146895/annunciation).",
          "normal": {
            "x": -0.9807446399639209,
            "y": 0.0005537193519549136,
            "z": 0.19529373921587603
          },
          "color": "#03687d"
        },
        {
          "id": "UkBAUfmL1v2",
          "title": "Etymologicum Μagnum",
          "position": {
            "x": 4.514109762675216,
            "y": 0.49227634000699805,
            "z": 16.09502094379046
          },
          "source": "matterport",
          "description": "This is an edition of great importance both in terms of presentation and content. It was printed by the first Greek-owned printing house of the Cretans Nikolaos Vlastos and Zacharias Kalliergis in Venice. A Byzantine work of the same name served as the prototype of this edition.\n\nView in collection (https://stcatherines.mused.org/items/146960/etymologicum-magnum)",
          "normal": {
            "x": -0.9976653079908162,
            "y": 0.006408267756007672,
            "z": 0.0679916710778393
          },
          "color": "#03687d"
        },
        {
          "id": "XQSQk8IasHc",
          "title": "Small hanging oil-lamp, with figurative and floral decoratio",
          "position": {
            "x": 3.5286486271380597,
            "y": 1.692993511341101,
            "z": 7.045926368625541
          },
          "source": "matterport",
          "description": "This hanging oil lamp was an offering to Sinai by Marouda, the wife of Panagiotis, and is a work of art with certain peculiar features that belong to a transitional period. It is decorated with miniature pierced depictions of the Mother of God as the Bush ...\n\nView in collection (https://stcatherines.mused.org/items/146883/small-hanging-oil-lamp-with-figurative-and-floral-decoration)",
          "normal": {
            "x": 0.2103357201651558,
            "y": 0.0006342577313687322,
            "z": 0.9776290106884796
          },
          "color": "#03687d"
        },
        {
          "id": "1wtbte3xdz2",
          "title": "The Mother of God of Blachernae among Moses ...",
          "position": {
            "x": -3.4010686047085845,
            "y": 1.4114054904816404,
            "z": 1.873185231506617
          },
          "source": "matterport",
          "description": "... and Jerusalem Patriarch Euthymius II\nThe Mother of God in her iconographic depiction of Blachernitissa (of Blachernae) is associated with the miraculous icon of the Virgin in the Blachernae church in Constantinople; in this icon, she stands between Moses and High Priest Euthymius II, Patriarch of Jerusalem, who passed away in Sinai in 1224. \n\nView in collection (https://stcatherines.mused.org/items/146903/the-mother-of-god-of-blachernae-among-moses-and-jerusalem-patriarch-euthymius-ii)",
          "normal": {
            "x": 0.0039955242845475655,
            "y": -0.006520412136201793,
            "z": 0.9999707595781316
          },
          "color": "#03687d"
        },
        {
          "id": "3sTdUi4XQ0m",
          "title": "Τhe Liturgy\nof the Presanctified",
          "position": {
            "x": 4.539265515805564,
            "y": 0.3529985925385186,
            "z": 17.078833162598038
          },
          "source": "matterport",
          "description": "A large number of scrolls were among the New Finds. Scrolls are an older type of book that was rolled and unrolled horizontally (right to left, and left to right respectively) so that one page would be exposed at a time, for writing or reading.\n\nView in collection (https://stcatherines.mused.org/items/146958/the-liturgy-of-the-presanctified)",
          "normal": {
            "x": -0.9965727019789108,
            "y": 0.02755017570272182,
            "z": 0.07799895825716148
          },
          "color": "#03687d"
        },
        {
          "id": "4QgNssm0uRp",
          "title": "The Twelve Great Feasts",
          "position": {
            "x": 1.8590126054253606,
            "y": 0.9005424280370331,
            "z": 4.814483518301239
          },
          "source": "matterport",
          "description": "The entire Twelve Great Feasts that usually adorn a templon have been condensed into this small six-panel icon, each divided into two sections; this must have been an icon intended for private use.",
          "normal": {
            "x": -0.004261297458319662,
            "y": 0.9994171343398861,
            "z": -0.0338708271499531
          },
          "color": "#03687d"
        },
        {
          "id": "5Q7yZTMd8xm",
          "title": "Epitrachelion of the priest- monk Matthew with scenes ...",
          "position": {
            "x": -4.498455153752522,
            "y": 0.4652439190955109,
            "z": 6.288925105223669
          },
          "source": "matterport",
          "description": "... from the Christological cycle\nThe royal (Tyrian) purple dyed background fabric is not completely covered in goldwork, as is the case with many epitrachelia of this era, but rather shows through the other precious materials, creating a rich chromatic composition. \n\nView in collection (https://stcatherines.mused.org/items/146914/epitrachelion-of-the-priest-monk-matthew-with-scenes-from-the-christological-cycle)",
          "normal": {
            "x": 0.0357670307673657,
            "y": 0.9993595670905581,
            "z": -0.0010840547305888447
          },
          "color": "#03687d"
        },
        {
          "id": "524xkeCZcyo",
          "title": "Mother of God seated between saints Theodoros and George",
          "position": {
            "x": 0.8140511396813181,
            "y": 1.4199848731935139,
            "z": -1.4677654720328297
          },
          "source": "matterport",
          "description": "The Mother of God, holding the Divine Infant on her knees, is seated on a throne between two military saints, the young Saint George, and the older Saint Theodoros, both dressed as imperial guards. \n\nLearn more at the Museum Collection (https://stcatherines.mused.org/items/1162/e-theotokos-metaxu-ton-agion-theodorou-kai-georgiou-the-virgin-between-saints-theodore-and-george).",
          "normal": {
            "x": 0.2289127003796892,
            "y": 0.0007325206412150054,
            "z": 0.9734466801106206
          },
          "color": "#03687d"
        },
        {
          "id": "6wzgZp1lfcz",
          "title": "Ascension",
          "position": {
            "x": 4.298242479661857,
            "y": 1.3818666015045988,
            "z": 0.13568443871118255
          },
          "source": "matterport",
          "description": "The composition of this icon contains some unusual elements; even though Christ appears seated, he floats midair, while the rainbow on which he usually sits in this theme is missing.\n\nLearn more at the Museum Collection (https://stcatherines.mused.org/items/146889/ascension).",
          "normal": {
            "x": -0.9781479690812213,
            "y": -0.0021301131730862835,
            "z": 0.20789904569322126
          },
          "color": "#03687d"
        },
        {
          "id": "bFKUSJAa8GM",
          "title": "Mother of God and Child, or “Kykkotissa” with Christ in Glor",
          "position": {
            "x": 2.8529396734347143,
            "y": 1.0283604691339405,
            "z": 4.799273688434112
          },
          "source": "matterport",
          "description": "The child is trying to regain its balance and grasps onto the maphorion of the Mother of God, while at the same time she hands him a scroll (symbolizing the Word). It is believed that the iconography reproduces the famous icon that the apostle Luke painted, according to tradition, and which was donated to the Kykkos Monastery in Cyprus in 1082 by its founder emperor Alexios I Komnenos.\n\nView in collection (https://stcatherines.mused.org/items/146898/mother-of-god-and-child-or-kykkotissa-with-christ-in-glory-prophets-and-saints)",
          "normal": {
            "x": -0.20075159342397775,
            "y": 0.0039052053731986162,
            "z": -0.9796343946129735
          },
          "color": "#03687d"
        },
        {
          "id": "dJWrK8CaK1P",
          "title": "Berat of Sultan Mahmud I",
          "position": {
            "x": 3.9872226471178345,
            "y": 1.2055767102748707,
            "z": 12.093159854929093
          },
          "source": "matterport",
          "description": "A berat or nesan (\"edict\" or privilege title) issued for the Monastery of Mount Sinai, immediately after the ascension to the throne of the Ottoman Empire of Sultan Mehmet I ...\n\nView in collection (https://stcatherines.mused.org/items/146963/berat-of-sultan-mahmud-i)",
          "normal": {
            "x": 0.12433900430932204,
            "y": 0.00020047126406136218,
            "z": 0.9922397753661354
          },
          "color": "#03687d"
        },
        {
          "id": "gh6nGGFTfrE",
          "title": "Gospel cover",
          "position": {
            "x": 2.902902973941096,
            "y": 1.0154748945196652,
            "z": 11.44165605958073
          },
          "source": "matterport",
          "description": "The story of this decorative cover is narrated in a memento on its interior: \"we took it down from the monastery to take to Wallachia and cover it in silver, and then return it to the monastery...\" The cover construction was financed by the Prince of Moldavia ...\n\nView in collection (https://stcatherines.mused.org/items/146988/gospel-cover)",
          "normal": {
            "x": -0.0010861721805012947,
            "y": 0.9998214921514419,
            "z": -0.018862769204403298
          },
          "color": "#03687d"
        },
        {
          "id": "gRcpIBxy292",
          "title": "Sanctification cross",
          "position": {
            "x": 3.5631379154081033,
            "y": 1.0185904153468723,
            "z": 7.3989387389329275
          },
          "source": "matterport",
          "description": "The carved wooden core is decorated with the scenes of the Baptism of Christ and the Crucifixion, and almost disappears beneath the loaded mountings of this cross. \n\nView in collection (https://stcatherines.mused.org/items/146977/sanctification-cross)",
          "normal": {
            "x": 0.0,
            "y": 0.9999247328013385,
            "z": 0.012269015126396792
          },
          "color": "#03687d"
        },
        {
          "id": "ilPfUWdOJNS",
          "title": "Nativity",
          "position": {
            "x": 4.315479261659192,
            "y": 0.9932167551733817,
            "z": 0.27779516765235
          },
          "source": "matterport",
          "description": "The icon depicts the adoration of the shepherds and the bathing of the Divine Infant. An inscription identifies the Mother of God as Saint Mary, referring to her standing in the Church before the term Theotokos was ratified by the Council of Ephesus in 431. \n\nLearn more at the Museum Collection (https://stcatherines.mused.org/items/1159/e-gennese-the-birth).",
          "normal": {
            "x": -0.9785860480929753,
            "y": -0.005885766037912799,
            "z": 0.20575398959903585
          },
          "color": "#03687d"
        },
        {
          "id": "iVrSmAp4vgD",
          "title": "Panel showing Christ in Glory",
          "position": {
            "x": 5.269547167989128,
            "y": 1.5975293536841892,
            "z": 6.693020235523456
          },
          "source": "matterport",
          "description": "This item consists of a rectangular copper plate that is nailed onto a wooden panel; it depicts Christ on a throne, encircled by an elliptical halo, with the zoomorphic symbols of the Evangelists in the four corners. \n\nView in collection (https://stcatherines.mused.org/items/146880/panel-showing-christ-in-glory)",
          "normal": {
            "x": 0.20953599131984463,
            "y": 0.005114843367298341,
            "z": 0.9777875570485329
          },
          "color": "#03687d"
        },
        {
          "id": "kJEPbvDWW9i",
          "title": "Pastoral staff of Athanasios the Abbot of the Monastery",
          "position": {
            "x": -4.583068729093041,
            "y": 0.41932464164452565,
            "z": 9.094151524836763
          },
          "source": "matterport",
          "description": "The technique of painted enamels was perfected in France during the first half of the seventeenth century. The first, hesitant attempts to reproduce it in Constantinopolitan workshops date to the mid-seventeenth century.\n\nView in collection (https://stcatherines.mused.org/items/146922/pastoral-staff-of-athanasios-the-abbot-of-the-monastery)",
          "normal": {
            "x": 0.035169210052111585,
            "y": 0.9993812892032421,
            "z": 0.0004067613262254899
          },
          "color": "#03687d"
        },
        {
          "id": "k71gBTBAgRq",
          "title": "Church shaped censer, offering of Roxandra Lăpuşneanu",
          "position": {
            "x": 4.775696788157919,
            "y": 1.5172842298172047,
            "z": 6.851256924066549
          },
          "source": "matterport",
          "description": "This censer is decorated with architectural forms which were preferred by Gothic goldsmiths and silversmiths in sixteenth century southeastern Europe. The lid is an intricate complex of church-like forms arranged on two levels that converge towards a pointed tip ...\n\nView in collection (https://stcatherines.mused.org/items/146884/church-shaped-censer-offering-of-roxandra-lapusneanu)",
          "normal": {
            "x": 0.20947426417016551,
            "y": 0.004030314595981786,
            "z": 0.9778058545614386
          },
          "color": "#03687d"
        },
        {
          "id": "qBxlNh8NAGJ",
          "title": "Benediction and Exaltation cross",
          "position": {
            "x": 4.436721325798068,
            "y": 1.4675147767324321,
            "z": 6.91693096681549
          },
          "source": "matterport",
          "description": "The populated scenes of the Dodecaorton, six on each face, the Tree of Jesse, and Christ as the Vine, on the sides, are carved in deep relief, and on several levels into the wood. The depictions of the Mother of God and Saint John are rendered in relief ...\n\nView in collection (https://stcatherines.mused.org/items/146973/benediction-and-exaltation-cross)",
          "normal": {
            "x": 0.20976823163016942,
            "y": 0.005649255280825157,
            "z": 0.9777348182986652
          },
          "color": "#03687d"
        },
        {
          "id": "rVe82XlagZW",
          "title": "Archangel Gabriel",
          "position": {
            "x": -4.762584061353022,
            "y": 1.5337955308674158,
            "z": 2.7497834256049805
          },
          "source": "matterport",
          "description": "Icons associated with worship, such as the icons of the Great Deesis (Christ, the Mother of God, Archangels, and Apostles) acquire great importance in the icon production of Sinai during the thirteenth century. \n\nView in collection (https://stcatherines.mused.org/items/146906/archangel-michael-mother-of-god-christ-and-archangel-gabriel)",
          "normal": {
            "x": 0.9999853118298516,
            "y": 0.0054199745898636945,
            "z": 0.0
          },
          "color": "#03687d"
        },
        {
          "id": "u3uIcqqBUL9",
          "title": "Pair of Candlesticks",
          "position": {
            "x": -4.591318941152384,
            "y": 0.6101002864213426,
            "z": 11.959157544473737
          },
          "source": "matterport",
          "description": "This particular type of candlestick, an Italian Renaissance artwork, was quite popular and circulated in several local variations, usually in pairs or in series, and was intended to be placed on the Holy Altar. These Sinai candlesticks exhibit the typical characteristics of this type, such as the long stem, and the three-sided base with sinuous outline, resting on animal paws.\n\nView in collection (https://stcatherines.mused.org/items/146931/pair-of-candlesticks)",
          "normal": {
            "x": 0.9976205010997029,
            "y": -0.003917328689219557,
            "z": -0.06883306125342936
          },
          "color": "#03687d"
        },
        {
          "id": "xhrsHDELrmb",
          "title": "Psalms",
          "position": {
            "x": 0.5656544653026794,
            "y": 0.35085694324625616,
            "z": 17.99567308981648
          },
          "source": "matterport",
          "description": "A psalter that had been the only manuscript written in Latin in the monastery collection, until the 1975 recovery of the New Finds Collection that brought to light another two Latin manuscripts. A note in Arabic on the first sheet records ... \n\nView in collection (https://stcatherines.mused.org/items/146943/psalms)",
          "normal": {
            "x": -0.9984021583367927,
            "y": 0.021178584638798133,
            "z": -0.05238890895152727
          },
          "color": "#03687d"
        },
        {
          "id": "BdKgroa8WCy",
          "title": "Sinai and its holy sites by Iakovos Moskos",
          "position": {
            "x": -4.923165982243256,
            "y": 1.5926631777874898,
            "z": 10.318572301162243
          },
          "source": "matterport",
          "description": "This icon largely follows upon the iconography found in printed icons, depicting the Sinai landscape and its holy sites, as it had crystallized during the second half of the seventeenth century. Moses, kneeling and removing his sandals, is depicted on the left side of the icon, while the Monastery of Sinai, its curtain walls and towers, the Katholicon with the vision of the Bush, the mosque with its minaret, cells, etc., are portrayed below.\n\nView in collection (https://stcatherines.mused.org/items/146930/sinai-and-its-holy-sites-by-iakovos-moskos)",
          "normal": {
            "x": 0.9999734405915363,
            "y": -0.0034376416174637927,
            "z": 0.006426564528223241
          },
          "color": "#03687d"
        },
        {
          "id": "BNvoDkLb3sM",
          "title": "Saint Catherine",
          "position": {
            "x": -3.51703906822276,
            "y": 0.542240115962853,
            "z": 9.69192476372374
          },
          "source": "matterport",
          "description": "Veneration of Saint Catherine of Sinai was quite widespread in the West. This retable adorned with the portrait of Saint Catherine was painted in the West, and according to a Catalan inscription, it was commissioned in Barcelona in 1387 by the Catalan Consul in Damascus Bernardo Maresa. \n\nView in collection (https://stcatherines.mused.org/items/146927/saint-catherine)",
          "normal": {
            "x": 0.03716595608117611,
            "y": 0.22821865088542967,
            "z": 0.9729002719172231
          },
          "color": "#03687d"
        },
        {
          "id": "EdXbiLynoSe",
          "title": "Letter/Affidavit by K. Tischendorf on September 16th ...",
          "position": {
            "x": -2.477335138241572,
            "y": 0.6857201566763429,
            "z": 18.164936421933792
          },
          "source": "matterport",
          "description": "... / 28th 1859 promising to return the Codex Sinaiticus to the monastery of Sinai\nOn September 16th 1859, the eminent German Biblical Theologist K. Tischendorf, under the auspices of the Russian ambassador to the High Porte, prince A. Lobanov (Egypt was part of the Ottoman Empire at the time), received the main body of the Codex Sinaiticus of the Holy Bible on loan from Sinai Monastery, in order to take it to Russia, where it would be published, and accordingly signed the relevant affidavit.\n\nView in collection (https://stcatherines.mused.org/items/146938/letteraffidavit-by-k-tischendorf-on-september-16th-28th-1859-promising-to-return-the-codex-sinaiticus-to-the-monastery-of-sinai)",
          "normal": {
            "x": 0.03534535316534409,
            "y": -0.006038410362693731,
            "z": -0.9993569150258125
          },
          "color": "#03687d"
        },
        {
          "id": "Fl0qSxv5x4O",
          "title": "How to use This Tour",
          "position": {
            "x": 1.7845322152617815,
            "y": -0.03491235967386881,
            "z": 0.19052523880895977
          },
          "source": "matterport",
          "description": "You can explore this space by clicking with your mouse to move to another location or you can use the arrows on your keyboard. Click and drag to move the view around and zoom in with the plus and minus keys. Hover over the circles for links and more information about the artwork!",
          "normal": {
            "x": -1.3849715444257934e-05,
            "y": 0.999999741191779,
            "z": -0.0007193222924818326
          },
          "color": "#f44336"
        },
        {
          "id": "FNPrKgj9GOS",
          "title": "Christian Topography by Cosmas Indicopleustes",
          "position": {
            "x": 3.4361156371163704,
            "y": 0.33635228825021857,
            "z": 21.704280082388397
          },
          "source": "matterport",
          "description": "The text was originally composed between the years 547 and 549 in Alexandria, and only three illuminated copies survive today. The author sailed all the way to Ceylon, and possibly the Indies, and wrote down his impressions while interpreting the ...\n\nView in collection (https://stcatherines.mused.org/items/146948/christian-topography-by-cosmas-indicopleustes)",
          "normal": {
            "x": -0.0816495642420802,
            "y": 0.012662086166810523,
            "z": -0.996580664187793
          },
          "color": "#03687d"
        },
        {
          "id": "KNfz7Y656FY",
          "title": "Early photographs\nof the Monastery of Sinai\nby the Wilson...",
          "position": {
            "x": -0.5211224640006675,
            "y": 1.4453307463924407,
            "z": 7.252024549356372
          },
          "source": "matterport",
          "description": "... Wilson and Palmer expedition\nThese two are among the oldest photographs of the Monastery, taken by the Palestine Exploration Fund expedition in 1868-69 under C.W. Wilson and H.S. Palmer ...\n\nView in collection (https://stcatherines.mused.org/items/146993/early-photographs-of-the-monastery-of-sinai-by-the-wilson-and-palmer-expedition)",
          "normal": {
            "x": 0.9999777883119153,
            "y": -0.002968225887453509,
            "z": 0.005967622465555911
          },
          "color": "#03687d"
        },
        {
          "id": "TtP2yR4DXcV",
          "title": "Sakkos of Cyril, Archbishop of Sinai",
          "position": {
            "x": -4.846197436441598,
            "y": 1.3272695390300788,
            "z": 6.952969348502807
          },
          "source": "matterport",
          "description": "The front side depicts Christ as the Vine, blessed by the Ancient of Days, surrounded with Apostles. The back side depicts the Tree of Jesse, with the Mother of God holding the Infant Jesus on the tree, and Jesse reclining at the base of the tree. \n\nView in collection (https://stcatherines.mused.org/items/146918/sakkos-of-cyril-archbishop-of-sinai)",
          "normal": {
            "x": 0.999957530536143,
            "y": -0.0020021640672848525,
            "z": 0.008996024850266187
          },
          "color": "#03687d"
        },
        {
          "id": "UNjY4azbOvF",
          "title": "Gregory of Nazianzus “Liturgical” Homilies",
          "position": {
            "x": 4.720976679712207,
            "y": 0.3530032146443348,
            "z": 19.336284497638186
          },
          "source": "matterport",
          "description": "This manuscript contains the new tenth century edition of the Homilies of Gregory of Nazianzus (fourth century) made up of sixteen orations intended to be read in church. Dedicatory inscriptions indicate that this luxious codex ... \n\nView in collection (https://stcatherines.mused.org/items/146952/gregory-of-nazianzus-liturgical-homilies)",
          "normal": {
            "x": 0.0,
            "y": 0.9999375858194375,
            "z": -0.011172486992395949
          },
          "color": "#03687d"
        },
        {
          "id": "URptIaKJyFi",
          "title": "Codex Sinaiticus Syrus, or Codex Syriacus 30",
          "position": {
            "x": -1.7037610101301963,
            "y": 0.25633953270870935,
            "z": 13.498704356787282
          },
          "source": "matterport",
          "description": "The first writing of the codex was executed in the early fifth century and was essentially a copy of the oldest translation of the Gospels in the Syriac language, from the third century, now known as the \"Old Syriac\" or protosyriac.\n\nView in collection (https://stcatherines.mused.org/items/146940/codex-sinaiticus-syrus-or-codex-syriacus-30)",
          "normal": {
            "x": 0.007209975552006234,
            "y": 0.9996515218624621,
            "z": 0.0253939183782846
          },
          "color": "#03687d"
        },
        {
          "id": "UVCfJAUoPGD",
          "title": "The Heavenly Ladder by John of Sinai (Climacus)",
          "position": {
            "x": 4.645499178319597,
            "y": 0.3102289922355527,
            "z": 18.851691048700495
          },
          "source": "matterport",
          "description": "This is the oldest surviving Greek manuscript of the Ladder. Until recently the earliest known Greek manuscripts of the Ladder, also found in Sinai, dated from the ninth- tenth century, while a Syriac translation of the Ladder from 814 is also preserved.",
          "normal": {
            "x": -0.9965787176300406,
            "y": 0.02898321154957036,
            "z": 0.07740047167257237
          },
          "color": "#03687d"
        },
        {
          "id": "ZtnnjmnA4QW",
          "title": "Inscribed cross with Christ and the Mother of God",
          "position": {
            "x": -1.696570810081953,
            "y": 0.7501573629982417,
            "z": 13.13070150690566
          },
          "source": "matterport",
          "description": "Medium sized metal cross, with a small protrusion on their bottom that allowed their placement on a base or a procession staff, served the needs of the imperial court, the military, and the church.\n\nView in collection (https://stcatherines.mused.org/items/146936/cross-with-verse-from-exodus-and-scenes-of-the-delivery-of-the-law-to-moses)",
          "normal": {
            "x": -0.022288049678046408,
            "y": 0.0029359219404829404,
            "z": 0.9997472796681711
          },
          "color": "#03687d"
        },
        {
          "id": "Z7OVy88DzZz",
          "title": "Mitre, offering of Tsar Mikhail Fedorovič",
          "position": {
            "x": 2.970043670709142,
            "y": 1.4373709708931455,
            "z": 7.435413150044106
          },
          "source": "matterport",
          "description": "Lavish vestments adorned with plates of gold and pearls, intended for the higher levels of the clergy, were customary in Russia already since the fourteenth century. During the sixteenth and seventeenth century this tradition of lavish decoration was popular ...\n\nView in collection (https://stcatherines.mused.org/items/146981/mitre-offering-of-tsar-mikhail-fedorovic)",
          "normal": {
            "x": 0.5238558702495816,
            "y": -0.28286137279772083,
            "z": 0.8034702676415865
          },
          "color": "#03687d"
        },
        {
          "id": "1hGvHOyAVP3",
          "title": "Annunciation",
          "position": {
            "x": -4.606413623217554,
            "y": 0.43714498507314437,
            "z": 3.7056186712481436
          },
          "source": "matterport",
          "description": "The central door of the Holy Bema, called the Beautiful Gate in Greek, was naturally a very important element of the iconostasis and its evolution. Since the eleventh century, the Annunciation is the typical theme portrayed on this door. \n\nView in collection (https://stcatherines.mused.org/items/146909/annunciation)",
          "normal": {
            "x": 0.05474307483588104,
            "y": 0.9984870818327108,
            "z": -0.00517137996192119
          },
          "color": "#03687d"
        },
        {
          "id": "2ZDCWlNozeq",
          "title": "Copy of Ahdname that Mohamed, Prophet of Islam, granted ...",
          "position": {
            "x": 7.03716620189032,
            "y": 1.4985994483871639,
            "z": 13.148581691556402
          },
          "source": "matterport",
          "description": "... to the monks of Sinai\nThis is a copy of the decree (Ahdname) that Mohamed, Prophet of Islam, himself issued in the Hegira year 2 (623) granting the safety of all spiritual and property rights of the monks of Sinai, as well as of Christians \"around the world\". \n\nView in collection (https://stcatherines.mused.org/items/146879/copy-of-ahdname-that-mohamed-prophet-of-islam-granted-to-the-monks-of-sinai)",
          "normal": {
            "x": -0.9914186616243513,
            "y": -0.0018545689762045482,
            "z": 0.1307118891183673
          },
          "color": "#03687d"
        },
        {
          "id": "4ZaqzMSL3ra",
          "title": "The Heavenly Ladder\nby John of Sinai (Climacus)",
          "position": {
            "x": 4.59607514494866,
            "y": 0.3392951394518101,
            "z": 18.508735913409332
          },
          "source": "matterport",
          "description": "The Heavenly Ladder was most probably written by John Climacus around the end of the sixth century. This manuscript was created in Sinai in the eleventh century and includes only one illustration of the Ladder that leads monks up to Christ in thirty steps.\n\nView in collection (https://stcatherines.mused.org/items/146954/the-heavenly-ladder-by-john-of-sinai-climacus)",
          "normal": {
            "x": -0.9966039916091415,
            "y": 0.027006086717251822,
            "z": 0.07778917141187808
          },
          "color": "#03687d"
        },
        {
          "id": "7pf9D5eRM3p",
          "title": "Saints Catherine and Marina",
          "position": {
            "x": -4.903620753408709,
            "y": 1.6122598491843179,
            "z": 11.573426254784296
          },
          "source": "matterport",
          "description": "This is possibly the oldest depiction of Saint Catherine preserved in Sinai. In early Byzantine icons the Saint appears accompanied by one more holy figure, such as Saint Marina in this case. Both saints are portrayed in a full frontal posture typical of the martyrs of the Eastern Church, holding a cross in their right hand, and with their left palm stretched upwards. \n\nView in collection (https://stcatherines.mused.org/items/146928/saints-catherine-and-marina)",
          "normal": {
            "x": 0.9999475164808465,
            "y": 0.008328605124512821,
            "z": 0.005966457949834368
          },
          "color": "#03687d"
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